After a long break from review-writing, I bring you Joe Wright's "Hanna", one of the best films I have seen in a long time:
So few big budget films these
days are truly original. Whether based on a book, a TV series, or a remake or
sequel (or even prequel) of a pre-existing film, most blockbusters these days
are not entirely original. Joe Wright's "Hanna" (2011) is an
exception. With a fantastic leading performance from one of the most promising
young actresses of our generation, Saoirse Ronan, a truly gripping story and
gorgeous scenery and visuals, "Hanna" is a film I would recommend to
any movie-lover - though perhaps not one of delicate constitution.
Hanna (Ronan) and her father Erik
(the brilliant Eric Bana) live utterly isolated and without electricity or
modern comforts in the snowy forests of northern Finland. Hanna has no memory
of other humans or another lifestyle - they hunt for their food and skin
animals for their clothes. She has never even heard the sound of music. Erik
has trained Hanna to be a deadly weapon, fluent in multiple dialects and
without fear. But why? When Hanna decides she is finally ready for her
mysterious mission out in the real world, our story begins!
This story is as varying in tone
and content as it is in scenery. Hanna moves from Finland through Morocco and
Spain as she finds her way to Germany. She is constantly trailed and hunted by
CIA operatives and German assassins. Ronan is, as always, stunning in her
performance. She is totally convincing as a fierce and brutal killing machine
and at the same time, beautifully portrays a lost teenage girl who has never
known friends or a mother. Ronan has shown amazing talent since she was very
young, taking one of the leading roles in Joe Wright's "Atonement" (2007)
at just 13 and at 15 starring in the tragic "Lovely Bones". She has a
great presence in every role she takes on and has played characters more
challenging than most actors will in their entire career. This performance
allows her to begin to grow up as an actress as Hanna grows up as a person.
Joe Wright, who is known for directing
visually stunning pieces, such as 2005's "Pride and Prejudice" and
more recently "Anna Karenina", has once again provided us with
stunning visuals as he takes us on Hanna's dangerous journey across continents.
Every scene is different and every scene is captivating. This is not only one
of the best original films of recent years, but perhaps one of the best period.
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